Exploring the Elements of the Classical Japanese Garden. Part 4

The purpose of the classical Japanese garden is to provide a place for meditation and veneration. A Shinto shrine is the historically oldest and perhaps archetypical garden. Its form may date back to 500 BCE. It is noted for its rusticity and blending into the local surroundings. It is a place for contemplation and veneration of the native elements and important concepts and significant ancestral figures. These spiritual elements called “Kami” were recognized as important and worthy of respect or veneration. These were not deities for worship but instead were intellectual constructs supporting the Japanese “rules of civility”

This is part 4/5 in a series of postings on my experiences and observations of gardens of Japan. For a complete understanding please visit the other postings. (1) (2) (3)

There are typically 6 elements in the classical Japanese garden. These include a Torii Gate, a bridge, one or more lanterns, rocks, a pond, and trees.

Myojin Torii gate with upward curve

The Torii is a gateway which is placed at the entrance of the shrine. It signifies the transition between the ordinary and the spiritual worlds. Often it is painted carmine red and made of wood.  I frequently saw two shapes.  Myojin torii are curved upwards at their ends and have a crossbeam that extends past the posts. Shinmei torii have a straight top and a crossbeam that ends at each post. There may be associated symbolic decorative rope or string accents called Shimenawa which along with trees further signify the boundaries of the shrine space.

If you come to a choice, make it.

The bridge symbolizes transition from one state of existence or world to another; from mundane to spiritual, from our sensual mortal reality to perfect immortal paradise. They maybe made of stone or wood and maybe either elaborate constructions or simply a single flat stone. Stepping on a bridge gives us a choice – either we cross it and take time on the bridge, or we turn back. In some gardens, bridges led to a central island called nakajima, which symbolized the Pure Land of Amida Buddha.

Stone lantern with place for a candle.

Stone lanterns originate in Buddhist traditions where the light suggests the enlightenment of Buddha’s teachings through the darkness of ignorance. From a Shinto perspective stone lanterns or yorishiro are made to attract, guide and house kami in the created sacred space. Each item in the construct has special significance. They are regarded as peaceful and tranquil.

Garden rocks selected and arranged for contemplation while sitting.

Rocks are ever so carefully selected, placed and arranged into the shinto garden. They are the residences of the kami. They symbolize the mountains or islands or even powerful figures in the Japanese pantheon. They are especially important in the Zen Buddhist garden. In the Zen garden, rocks stand for Mt Horai, the “Blessed Isles of the Immortals”. 

Expansive water feature with bridge in background
Sand representing water in Zen garden

Water in the shinto garden represents purity or purification. Without water in the garden the significance of bridges, rocks and islands would be lost. Ponds and especially flowing water are a key element to all but the Zen gardens. Instead of water in the Zen garden, gravel and stones are carefully placed and raked into patterns resembling rippling water.

Large ancient trees in palace garden
Group of carefully trimmed trees in private garden. Note the variations in color and texture.

Trees are included within and around the periphery of the garden. They are called shinboku, and may be draped with shimenawa rope. The shinto shrine trees are specifically designated as sacred because of their age, size, or connection to a particular kami. Large, old, single or groups of trees are attributed with concepts like immortality or endurance, beauty or mythology. They are the connection between the natural world and the divine.

Perhaps the ideal of the shinto garden, this place is in the wilderness at the base of Mt. Fujii. The Torii arches over the simple stone path. The bridge provides a decisional option to access another route. The native trees surround not only this pleasant lowland but also the entire Mt. Fuji national park. The stones are truely mountainous.

SUMMARY:

The five classical garden types include shinto shrines, buddhist gardens, zen-buddhist gardens, imperial palace grounds, and castle grounds. Images of these can be seen on our previous blog.

Shinto shrines are intended for veneration of kami.

Buddhist monastery: I think of these enclaves as gardens for the mind. They are surrounded garden areas that are mostly devoid of effigies or suggestions of kami. They are intended to provide tranquil respite for peace and tranquility. Buddhism derives from India and became very powerful in Japan. During the Shogunate civil wars the Buddhists fought for independence from the warring parties. During the Edo period Buddhism was considered a threat to the Empire. Its foreign origin and power conflicted with the concept of three principals of Japan; duty to the Emperor, to the Nation of Japan and to the Japanese ancestors. The State no longer supported the monasteries. Attendance dwindled and contributions were insufficient to maintain these mammoth wooden buildings.

Zen/Buddhist gardens: Zen Buddhism arose during the civil wars. The Shoguns combined various portions of the Shinto faith and positions of Buddhism to facilitate their own code of ethics. The esthetic simplicity of the Buddha combined with a strict discipline of the Samurai. This is referred to as the “Shogun way”. Samurai and Daimu modeled their private retreats in the form of shinto shrines.

Imperial palace grounds. The centers of government changed during the more than one thousand years of imperial rule. Several cities were host to the Emperor and these cities hold the remains of the various palaces.

Castle grounds: The castle itself is a military fortification. It was not a residence, instead it was a place for defense. It would be packed with munitions and armaments. These materials were used for offense or as a depot for invasion forces. Surrounding the castle the army would be encamped and the outer rings were the support and suppliers for the troops. The grounds may have extended many square kilometers around the castle. The gardens encircling the castle were for walking, meeting and socializing.

CONCLUSION:

It appears to me that both shinto and buddhism seek enlightenment. They have opposite approaches to achieve this goal. Buddhism puts faith in self inspection, shinto puts faith in kami. Both approaches have value.

REFERENCES:

Japanese Gardens Revealed and Explained, Chard R., Zenibo Marketing, 2013

Japanese Stone Gardens, Mansfield S., Tuttle Publishing, 2009

REFERENCE LINKS:

Stone lanterns , Water in Japanese gardens , Bridges in Japanese gardens

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#Japanese garden #kami #shinto #buddhist #lanterns #bridges #trees #samurai #shogun #zen

Japanese Garden Types – Part 3 – Woodlands

The native woodlands are foundational for all other Japanese gardens. They have been revered for thousands of years as part of Shinto. They are geologically, ecologically, historically, culturally and economically important. The previous posts in this series have reviewed the cultural insights and history of the Japanese gardens. This is part three of a six part series on Japanese gardens. The purpose of this presentation is to focus on the value and management of the forests. Can these be applied to care of woodlands in Florida and the East Coast of the USA?

There are three garden types in Japan that include woodlands, food production gardens, and the classic traditional gardens. Here is a brief overview of the forests in the wilderness of Japan.

The feature image is typical of the countryside viewed from the cable car on the way to Mt. Fuji. It is mountainous and covered with a forest of predominantly gymnosperm trees.

The history of Japan has significantly altered the natural woodlands of Honshu. The wilderness is not as natural as expected. 75% of Japan is densely forested. Forty percent’ was planted by people. There is a deep and protracted use of the woodlands for lumbering. The giant shrines with statues of the Buddha are made of cedar and cypress harvested from the wilderness. Historically all of the major buildings and residences were built from local wood. Until the twentieth century no other materials were used.

No understory at altitude at 1/2 (4500 ft) of Mt Fuji
Shinto shrine in base of Mt Fuji park
Cyprus and Cedar tree forest

Deforestation Events

The forests were depleted of wood from three major events. There were two major event periods of construction which consumed whole mountains of wood. The first was during the castle shogun period the 1700’s. These included many square miles of defensive castles and associated residences for soldiers, civilians and commerce. Simultaneously, the residences and temples of the Buddhists were constructed. The second period was during the Edo and the Mejie eras. Edo construction focused on the new capital now called Tokyo. The third and period was the combination of the 1850’s through 1950. The forests were severely depleted as never before. This third period included deforestation for construction and devastation as a result of war.

Deforestation has an impact on the geology and ecology. Without the tree roots to hold the soil, earthquakes, floods, land slides with mud and rocks ensued. To restrain the soil trees were aggressively replanted with cedar and cypress with very little diversity. In 1954 The public was incentivized to plant even more. That incentive indirectly increased further deforestation of diverse native tree angiosperm hardwood species like the maple.

This had a further modern impact of construction lumber. Its value depends on good management of the trees. To grow straight, tall and knot free, the limbs need to be trimmed. To allow sufficient light and access to the trees the forest needs thinning. To be accessible to harvest, the slopes of the hills must be within the capacity of the power equipment. This is demanding work requiring a skilled and able labor force. The population of Japan is aging. The wage rate compared to other countries is relatively high There are insufficient foresters to develop an industrial timber crop. As a result of this, the trees are of questionable value. The monocultural nature of the crop also makes the forest susceptible to pests and diseases. The understory is sparse and not diverse. The wildlife is severely limited. To compete with imported lumber the method of management needs to be rethought.

1945. Tokyo reduced to ash
2024. Tokyo completely rebuilt in concrete

Spiritual Value of Old Trees as Seen in Art

Shinto regard of trees and forests is foundational. Recall that there has been a long veneration of trees which we described in the last posting. This value dates back thousands of years. They are assigned individual and group value as Kami spirits.

In Japan, old trees are venerated for their resilience, strength and power. Allegorically, they offer a bridge to the past. Both of these concepts are essential to the concept of Shinto. Blossoming trees are also highly regarded. Most notably are the spring blooms of the weeping cherry and plum trees. Autumnal trees with seasonal chromatic change in the leaves offer even more inspiration for artists.

Kano Masanobu, ~1550, This exquisite screen, ink on foiled paper is in the Tokyo National Museum
Suzuki Shōnen  1849-1918

Buildings for the Community Revering Forested Trees

The size of the remaining wooden buildings speak volumes about the mass of lumber needed for the temples, castles and residences of ancient Japan. The Great Buddha Hall of Tōdai-ji in Nara Japan is the world’s largest wooden building. It houses the largest cast bronze seated Buddha statue. It is only one of the few remaining giant Buddha halls. These images of notable wood structures do not truly capture their great size. Maintenance of these halls, palaces and castles is constant, expensive, and requires expert craftsmen and are paid for by donations. The remaining buildings are a small fraction of all of the original buildings that once existed.

Great Buddha Hall of Tōdai-ji in Nara. This reconstruction is only two thirds of the original building.
Senso-JI temple, Tokyo
Jansen-Ji temple, Kyoto, Japan
Senso-JI temple Pagoda, Tokyo
Matsumoto castle, Japan
Todai-ji Namdaimon, Nara, Japan
Nijo Castle, Kyoto, Japan

Private Wooden Buildings

The Gion district in Kyoto and the Yasaka-no To Pagoda has a high concentration of traditional wooden machiya merchant houses. This area was established 1300 years ago. Many of these wooden buildings date back to the Meiji period more than 150 years ago. Most of the original buildings were destroyed in the fire of 1865. In Kyoto those which were rebuilt were not destroyed in WW II. There were wooden structures like these in Tokyo. They were the norm and as you would expect, during WW II most of them burned. Only a few pockets of these remain. They were replaced with modern buildings made of steel reinforced concrete and glass.

Tokyo. Wood is protected from deterioration caused by dog urination. The curved barriers can be seen on the face of the structure
Kyoto. No barriers results in discoloration and acidic damage to the structure.

WW II post war reconstruction period and current state of woodlands

Trees by the numbers

Look at this hillside. At the lower level, below the green line, you can see the density of the tree trunks. There is no place for understory growth. This suggests over planting without selective tree pruning or thinning as is necessary for a healthy tree growth pattern.

The foliage distribution strongly overlaps the mountainous areas which we described in the first of this series on Japan. To better appreciate the distribution of trees in Japan, the following illustrations will show the varieties and locations in the island group. This underscores the limited accessibility to manage the growth or to commercially harvest the wood.

The distribution of trees is approximately 40% deciduous and 60% coniferous and evergreen.
This graphic is from “Forest and Forestry of Japan Textbook to Learn about Forests” . The Japan Forestry Association, “Forest zone of Japan”. Note our visited area is characterized as warmer temperature vegetation.

For more information on plants seen on this trip, please visit the Everglades Ark Epicollect database. to see more native trees and plants in seen on this visit. See observations numbers 422 to 434.

Reforestation:

There is a strong response to the tree management in today’s Japan. The forests of Japan rank third in the world for percentage of forest covered land. Modern management techniques including diversification of species are being applied and the use of local lumber is increasing.

Japan is now making a concerted effort to reforest and rewild their woodlands. Although this is a public works project and is government sponsored/funded it depends on community part time and volunteer workforce. It includes incremental reforestation using a variant of the Montreal process. This successful process has been widely applied in many locations around the world. The dedication and discipline of the people of Japan have made this do-it-yourself (DIY) project an example that could be followed here in Florida.

CONCLUSION

Forests continue to play an important part in Japan both spiritually and economically. Hopefully we can learn that over deforestation and questionable management can result in unintended consequences. The reversal of the untoward results can be costly, labor intensive and time consuming.

Next

In our next posting we will explore the productive gardens as farms in Japan. Later we will see the classic formal gardens

HERE ARE SUGGESTED TOPICS FOR the discussion board

Where does the art of bonsai fit into Japanese culture?

How would you manage the woodlands of Japan?

What can we learn from the Japanese woodland management experiences?

How can we use the Florida Master Naturalist program to encourage woodlands management in our own neighborhoods?

If you have visited or live in Japan please add to this description.

Is Japan competitive with the world in lumber production?

Reference texts:

•Japan, DK Eyewitness, Penguin House, Dorling Kindersley, 2000

•The Chrysanthemum and the Sword, Benedict R., Houghton Mifflin, 1946, 1957, 1967. 2005

•Judgement at Tokyo, Bass G.J., Alfred Knoff, 2023

•Zen Gardens, Masuno S., Tuttle Publishing, 2012

•Japanese Gardens Revealed and Explained, Chard R., Zenibo Marketing, 2013

•Japanese Stone Gardens, Mansfield S., Tuttle Publishing, 2009

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#gardens #Japan #Shinto #samurai #Buddhism #Shogun # culture #imperialism #history #philosophy #art #trees #

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